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DONALD BLACK JR.

They Was Playing Jail

They Was Playing Jail

Donald

Black Jr.

the artist's inspiration

When someone looks at this drum, I want them to see black children playing jail. They see the innocence of childhood play. You see what your experience has constructed. We all identify with the experience of being a child. You may see yourself in a familiar or unfamiliar way.

 

The fence has been a reoccurring symbol in my work since I was a child, and it represents some sort of confinement.  The fence has been seen as bars communicating imprisonment and confinement. Some of us see the fence and interpret it as imprisonment, confinement, and jail. We’ve inherited conditions that cause us to perceive a fence as a prison. To experience children playing prison reveals an awareness of a lived experience that feels contained. 

There are physical mental and spiritual prisons created specifically for me here in America. It’s hard to be heard when black in America. What you experience is dismissed and called an overstatement. When you witness a 3-year-old playing jail there is a level of truth that can’t be denied or argued. The truth forces itself to be experienced. Playing jail isn’t a preconceived idea in an effort to make a political statement. Playing jail is a discovery that represents subconscious and suppressed thoughts and feelings.

 

People who are uncomfortable or unaware of the lived experiences that black people face tend to push back on the validity of those experiences. The push back usually shows up in the form of an implication that my experience of mental, emotional and physical confinement is a past experience—that it used to happen back in the day.  The push back comes in the form of refusing to look at what is being expressed and experienced. 

Living in direct proximity with people in and out of jail, and decades of personal encounters with the police, creates a psychological fear that never leaves you. 

The justice system has created the myth that “bad” people are in jail. What society says about jail doesn’t always line up with what you may be experiencing. We are told that jail represents good or bad, right and wrong. Only bad people go to jail and if you aren’t in jail then you must be good.

 

The police are the gatekeepers of jail. I have a childhood memory of a fight between my parents. My dad went to jail when my mom was arguably in the wrong. My mom’s calm response to the police kept her from going to jail. My dad’s nasty reaction to a female cop caused him to be arrested. This experience expanded my perception of right and wrong and good and bad. At six-years-old, I understood that self-control and personal awareness was what determined if someone went to jail.

 

Walking away from the police isn’t as random as we are being conditioned to believe. The more aware you are you increase the chances of making decisions that will keep you safe when you are being engaged by the police. The less self-control that you have the more likely for a negative outcome when dealing with police. As a child, lack of awareness and lack of self-control equaled jail. I’ve experienced police guns drawn on me since I was a teenager, and a heightened awareness and serious self-control is the only reason I’m still alive to tell this story through the expression of the work. I was taught as a child that I fit the description of the people that police kill. This learning caused me to not react when being negatively engaged by police.

CAPITOL PARK, detroit

june 2024

Jail as a form of play exists very close to the truth about prison and enslavement in America. Oppression is enforced, internalized, expressed and perpetuated by age of 3 in America. This piece, “They Was Playing Jail,” is the closest I’ve gotten to a truth at the root of how early prison conditioning is happening. Cartoons, toys, school, and how police show up in their life is how children are being conditioned to perceive right and wrong, good and bad. 

I experience the country doing a very good job at producing its desired outcomes—control, destruction and segregation of oppressed people. A safe and secure place for people who identify themselves as white. The systems of oppression are and have been very effective and productive systems for America to implement and perpetuate. If we look at what these systems produce, you get a clear picture of what these systems are designed to produce. This system works so well the children play jail.

Childhood is innocent no matter the conditions that you are born into. Innocence still exists even when we are perpetuating unhealthy conditions. It’s only with awareness that we become responsible. It’s when we know better that we lose our innocence, child or not. The innocence of playing can come with an undertone of danger. To play comes with a sense of freedom and freedom is a threat to systems that are designed to contain.

The black and white photograph puts an emphasis on the visual elements, principles and use of symbols. The use of color can be misleading, and it can trick you into seeing something that isn’t there or hide something that is. Black, white, and shades of gray operate on structural level and it’s closer to the root of something. It’s what’s underneath with no distractions. It is a clear expression and communication of light. The black and white photograph is honest without the ability to manipulate perception.   

 

Donald’s “If I Could Tell You Just One Thing” 

Be honest. Tell the truth. It’s so simple, but many people find it so hard to do. One of the ways that we hurt ourselves and each other is in the secrets that we keep. We pass down negative experiences in our silence. When we stop lying, we free ourselves and find who we truly are. By telling the truth, we reveal that we have more in common and that’s not what they’ve conditioned us to believe. The truth allows us to truly see each other, forces us to face ourselves, and discover who we are—individually and collectively.

THEME

RIPPLES ACROSS GENERATIONS

Ripples Across Generations makes clear the direct consequences that enslavement and oppression has had on every generation of Americans, including the society we live in today.

THEME

Ripples across generations

Ripples Across Generations makes clear the direct consequences that enslavement and oppression has had on every generation of Americans, including the society we live in today.

the artist's inspiration

When someone looks at this drum, I want them to see black children playing jail. They see the innocence of childhood play. You see what your experience has constructed. We all identify with the experience of being a child. You may see yourself in a familiar or unfamiliar way. 

 

The fence has been a recurring symbol in my work since I was a child, and it represents some sort of confinement.  The fence has been seen as bars communicating imprisonment and confinement. Some of us see the fence and interpret it as imprisonment, confinement, and jail. We’ve inherited conditions that cause us to perceive a fence as a prison. To experience children playing prison reveals an awareness of a lived experience that feels contained. 

There are physical mental and spiritual prisons created specifically for me here in America. It’s hard to be heard when black in America. What you experience is dismissed and called an overstatement. When you witness a 3-year-old playing jail there is a level of truth that can’t be denied or argued. The truth forces itself to be experienced. Playing jail isn’t a preconceived idea in an effort to make a political statement. Playing jail is a discovery that represents subconscious and suppressed thoughts and feelings.

People who are uncomfortable or unaware of the lived experiences that black people face tend to push back on the validity of those experiences. The push back usually shows up in the form of an implication that my experience of mental, emotional and physical confinement is a past experience—that it used to happen back in the day.  The push back comes in the form of refusing to look at what is being expressed and experienced. 

Living in direct proximity with people in and out of jail, and decades of personal encounters with the police, creates a psychological fear that never leaves you.

DONALD BLACK JR.

All it takes is for someone to drive through some of the roughest parts of Cleveland to witness the beauty and impact of Donald Black, Jr.’s photography.  Black’s work is on the ground alongside the people who are from the same environment that he represents. And when you hear his story, with all of its rugged and rough edges, you’ll understand why it’s so impressive that he was able to maintain the focus needed to avoid falling into the traps that his environment steadily situated and promoted. Here, there are no stories of happy endings, white picket fences, silver spoons or long lists of impressive schools, exhibitions and awards. Instituting himself and tabulating all of his accomplishments isn’t as impressive as knowing how serious and meaningful art is to the person who is doing it to stay alive. 

Donald Black Jr.jpeg

Let's make our shared ideals a reality. For everyone.

The justice system has created the myth that “bad” people are in jail. What society says about jail doesn’t always line up with what you may be experiencing. We are told that jail represents good or bad, right and wrong. Only bad people go to jail and if you aren’t in jail then you must be good. The police are the gatekeepers of jail. I have a childhood memory of a fight between my parents. My dad went to jail when my mom was arguably in the wrong. My mom’s calm response to the police kept her from going to jail. My dad’s nasty reaction to a female cop caused him to be arrested. This experience expanded my perception of right and wrong and good and bad. At six-years-old, I understood that self-control and personal awareness was what determined if someone went to jail.

 

Walking away from the police isn’t as random as we are being conditioned to believe. The more aware you are you increase the chances of making decisions that will keep you safe when you are being engaged by the police. The less self-control that you have the more likely for a negative outcome when dealing with police. As a child, lack of awareness and lack of self-control equaled jail. I’ve experienced police guns drawn on me since I was a teenager, and a heightened awareness and serious self-control is the only reason I’m still alive to tell this story through the expression of the work. I was taught as a child that I fit the description of the people that police kill. This learning caused me to not react when being negatively engaged by police.

Jail as a form of play exists very close to the truth about prison and enslavement in America. Oppression is enforced, internalized, expressed and perpetuated by age of 3 in America. This piece, “They Was Playing Jail,” is the closest I’ve gotten to a truth at the root of how early prison conditioning is happening. Cartoons, toys, school, and how police show up in their life is how children are being conditioned to perceive right and wrong, good and bad. 

I experience the country doing a very good job at producing its desired outcomes—control, destruction and segregation of oppressed people. A safe and secure place for people who identify themselves as white. The systems of oppression are and have been very effective and productive systems for America to implement and perpetuate. If we look at what these systems produce, you get a clear picture of what these systems are designed to produce. This system works so well the children play jail.

Childhood is innocent no matter the conditions that you are born into. Innocence still exists even when we are perpetuating unhealthy conditions. It’s only with awareness that we become responsible. It’s when we know better that we lose our innocence, child or not. The innocence of playing can come with an undertone of danger. To play comes with a sense of freedom and freedom is a threat to systems that are designed to contain.

The black and white photograph puts an emphasis on the visual elements, principles and use of symbols. The use of color can be misleading, and it can trick you into seeing something that isn’t there or hide something that is. Black, white, and shades of gray operate on a structural level and it’s closer to the root of something. It’s what’s underneath with no distractions. It is a clear expression and communication of light. The black and white photograph is honest without the ability to manipulate perception.   

 

Donald’s “If I Could Tell You Just One Thing” 

Be honest. Tell the truth. It’s so simple, but many people find it so hard to do. One of the ways that we hurt ourselves and each other is in the secrets that we keep. We pass down negative experiences in our silence. When we stop lying, we free ourselves and find who we truly are. By telling the truth, we reveal that we have more in common and that’s not what they’ve conditioned us to believe. The truth allows us to truly see each other, forces us to face ourselves, and discover who we are—individually and collectively.

Let's make our shared ideals a reality. For everyone.

DONALD BLACK JR.

All it takes is for someone to drive through some of the roughest parts of Cleveland to witness the beauty and impact of Donald Black, Jr.’s photography.  Black’s work is on the ground alongside the people who are from the same environment that he represents. And when you hear his story, with all of its rugged and rough edges, you’ll understand why it’s so impressive that he was able to maintain the focus needed to avoid falling into the traps that his environment steadily situated and promoted. Here, there are no stories of happy endings, white picket fences, silver spoons or long lists of impressive schools, exhibitions and awards. Instituting himself and tabulating all of his accomplishments isn’t as impressive as knowing how serious and meaningful art is to the person who is doing it to stay alive. 

Donald Black Jr.jpeg

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By all of us. Join us.

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in our relationship with ourselves.

WORTHINESS 

I am worthy of love dignity and respect.

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I know how I see the world and where it comes from.

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I believe I have something valuable to offer.


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I know what inspires me and what I want to do.

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